Meet the Author: Simon Armitage talks to Anita Sethi

By Anita Sethi

www.twitter.com/anitasethi 

An uplifting day of poetry

A huge bouquet of balloons has just been released into the clear blue skies above the Southbank Centre when I meet for a chat with Simon Armitage, who is Artist in Residence at the Southbank where his various projects have included Poetry International; the Lion and Unicorn; Everyone Sang; and Poetry Parnassus. As well as being Professor of Poetry at Sheffield University, the prolific writer also has two books forthcoming over the next year.

Photo by Anita Sethi

On a special day celebrating creativity and freedom through a series of inspiring events called “Everyone Sang”, Simon Armitage gave a powerful reading alongside young members of theLion and the Unicorn project after which the balloons were released, hot-spots of colours floating upwards plastered with poems the young people wrote during a workshop day.  The balloons became tiny specks in the sky and then vanished from sight.

Simon Armitage reads at the balloon launch

During the afternoon, Simon Armitage  has been presenting the film and poetry of young people from refugee backgrounds around themes of peace and freedom, with the young poets reading alongside established poets Joelle Taylor, Karen McCarthy Woolf, Philip Wells and Yemisi Blake.

“The balloon release is a culmination of a project with young people; we’ve been using poetry as a creative process for young people to express themselves”,  explained Armitage.

“They walked into the room thinking it would be all doom and gloom and yet they had a lot of fun and joy. It shows the strength of the human spirit; and it’s about the irrepressible nature of the soul and language itself”

“I also had the idea that, depending which way of the wind was blowing, that the balloons might end up back in the country where the kids are from”. 

Armitage explains how they had to get clearance from air traffic control before the balloon release, but it was worth it, for the uplifting experience.  “It’s the idea of being free and an address to that idea of borders and boundaries”.  

Just as a balloon filling with air, poetry can help people’s confidence grow, the project proved, and help form the identity.

I wonder where the balloons might have floated to by now.  It’s the idea, says Armitage, that they may just drift, or that they may be picked up from a nobody living nowhere, that those poems might just find themselves in the hands of someone whose life might be changed in some small way from the words drifting their way.

Armitage points out that even if your poem might happen to reach all the way to the other side of planet Mars, it’s important as a poet to always retain your voice and write about the things that interest you, whether that voice is colloquial and local or global and symbolic.

Armitage also discusses the idea behind his brainchild, the visionary festival Poetry Parnassus, which will launch next Summer and see poets from all participating nations come together for a week of performances and talks. Click here to find out how to ‘nominate a poet’.

“Parnassus is the mythical home of Orpheus, and we’re trying to recreate those foothills here in the Southbank. The idea is to convene a global coming together of poetry and poets using the Olympics as a convenient device for that.  There’s all kind of reasons it seems to fit, including the whole idea of Olympic values – this will be a non-competitive version of that”.  It is a celebration of poetry as the oldest form of writing. Page image“London is renowned for being an international city”, he continues. “There are people of almost every nationality living in this city”.  Poets from  206 different countries have been invited to the festival.

As well as continuing his explorations into Le Morte D’Arthur, a project which has seen his translations of Sir Gawain and the Green Night being used in a Norton Anthology, Armitage is also working on a book about crossing the Pennine Way, a journey throughout which he would give readings in people’s homes.  “It was absolutely fantastic.  I met some really wonderful people. I was trying to use poetry as a currency.  It would get me from A to B.   I think that readings are part and parcel of the act of being a poet”.

Armitage also comments on the chunks of poetry which can now be found outside the Southbank Centre site.  “There’s something about small chunks of texts that people find uplifting”, he says, since reading them can offer “a little moment of intensity”.  He’s been working on a similar project, “Stanza Stones” through which poems have been etched into the quarries in Marsden.  It’s also “partly about giving something back”.

The most recent acclaimed collection of the prodigiously talented poet is called  Seeing Stars and in beautiful imagery comprises the inspiring idea of looking as far as you can see, and seeing the same old things in different ways.

As I walk through the sunlit day and glance up into the sky for the glimpse of any balloons, it’s certainly been a day of setting the sights far onto distant horizons.  Just as I turn my gaze downwards, a tiny flash of a red balloon floats past the vision then vanishes.

Freedom Released Tomorrow!

Lion and Unicorn Installation. Photo L.Apichella

Tomorrow: Join with Southbank Centre poet in residence Simon Armitage for a special day celebrating freedom and creativity – featuring a balloon release at 3pm.

‘Peace… is a Kebero played by two

hands in the centre of whispering sands,

that speaks of Eritrean sunrise.’

Frehiwat, Refugee Youth

The Lion and Unicorn installation by the entrance to Royal Festival Hall always has people talking. Each time I have been past this week young and old are looking with interest and compassion at the poems strung together to make a fluttering wall of verse. The installation was made by artist Gitta Gschwendtner working with 50 young refugees and asylum seekers and pays homage to a flock of ceramic birds in the original Lion and Unicorn Pavilion from the 1951 Festival of Britain. The young people’s poems – written and spoken – reinterpret the original themes of strength and imagination, of peace and of freedom.

Groups that took part in the project were: the Refugee Council, Refugee Youth, the Klevis Kola Foundation, and the Refugee Home School Support Project.

As a continuation of the ideas communicated in the instillation, join in tomorrow in celebration of these and other young voices during Everyone Sang, part of London Literature Festival:

Everyone Sang
Royal Festival Hall, Southbank Centre
Saturday 9th July  

10am – 12noon
Poetry workshop,
The Clore Ballroom
Free open workshop for all ages – drop in any time
Come and write your own bird poem of peace – poets Joelle Taylor, Karen McCarthy Woolf, Philip Wells and Yemisi Blake will be here to help you – and you can write in English or in your own language. Later at 3pm, your poem will take flight attached to a balloon!

1pm – 2.30pm
Young people’s poetry film and readings, The Clore Ballroom
Free, no need to book
Southbank Centre artist in residence and critically acclaimed poet Simon Armitage presents film and poetry from young people from refugee backgrounds around themes of peace and of freedom, alongside established poets Joelle Taylor, Karen McCarthy Woolf, Philip Wells and Yemisi Blake

3pm – 3.15pm
Balloon release, Festival Pier, Queens Walk
Free, no need to book
Poems written in the morning’s workshop will be released attached to a flock of balloons led by Simon Armitage and young people involved in the Lion and Unicorn project

To see a short film about the installation here.

For more information on the event.

Liming @ The Lit Fest

London Liming flyer lineup

Until now most of the posts I’ve written have been about shows after they’ve finished. But I just wanted to do a quick pre-post about London Liming tomorrow night in the Spirit Level. For anyone who was there last year, you’ll know to expect a high-engery, carnival vibe evening of performance. This year, Tilt has created an even bigger line-up and added live graffiti art. It’s another chance to see the briliant cellist and vocalist Ayanna Witter-Johnson before she leaves to study in the states. Plus two of my favourite young writers, Aisling Fahey & Deborah Stevenson will also be performing.

July 16th

Spirit Level,

Southbank Centre

8pm

Where To?

It’s strange to think that seven weeks ago I was sitting in the Royal Festival Hall with a group of young people I’d never met before, being recruited as a young curator. Now it’s been two days since the show which Jamal, Jayga, Rosie and I have been working towards for so long. From the feedback I’ve received I think it went incredibly well; the Front Room was packed and there was a great buzz that lasted long after the show had ended.

Whilst I’m normally quite composed, there were moments in the lead up to the show that brought on mild hyperventilation and verbal vomiting of ‘Ohmygodohmygod’. At one point Yemisi, Jamal and I were adding up the times of all the acts when we realised, despite numerous previous checks, that we were 20 minutes over. After brutally cutting the interval, shaving minutes off sets and making Yemisi swear the keep the hosting short we squeezed our busy busy show into the allocated time with no room for mistakes or overrunning. Another of my panics came on when with great excitement we received our 2000 flyers…with Woe, the house band, wrongly named ‘Woe Live’, so my sincere apologies to them.

All of the artists were absolutely amazing on the day and despite the headlining grime artist No.Lay never turning up, it felt (I hope!) like a complete experience from start to finish. Personal highlights for me were the collaboration between Woe and poet Kaiz La Kazie, the beautiful Jasmine Cooray’s vivid stories, finally seeing my co-curators Jamal and Rosie perform, Malik Marland’s amazing poetry, soul singer Aruba Red, the exciting art being created throughout the show by Rachel Sale and Sophie Gate …basically everyone! It was lovely to see so many familiar faces that I’ve met during my time at the Southbank Centre in the crowd such as Rachel Holmes, Paul Blezard and Rosie Goldsmith.

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Jasmine Cooray

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Rosie Knight and her lovely dress

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Rachel Sale and Sophie Gate near the end of their painting

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Rachel Holmes and Paul Blezard

Unfortunately the rest of my photos aren’t the best as I still haven’t quite mastered my camera settings, but do take a look here.

A huge pat on the back to Jamal, Jayga, Rosie, Yemisi, Zenith, all the artists and everyone who came. Thanks heaps!

Dzifa Benson @ Mashing The Classics

Yesterday evening, a selection of poets and musicians set about reworking classic works of literature for an audience in the Queen Elizabeth Hall’s Front Room. Here’s a short interview with Dzifa Benson, one half of a poetry duo called Word Migrants, which also includes Naomi Woddis. Collaboratively they retold Beauty And The Beast.

Click here to listen.

Photos from The Rime of The Ancient Mariner

Despite the lead actor getting swine flu and the director stepping in last minute, all those involved in the Rime of The Ancient Mariner gave two wonderful performances today. Congratulations! Click here for more pictures from the 3PM show.